讲座预告 | 热带眼#潮汐项目7——徐菲阳：移植、融合与重构：当代巴厘岛皮影戏的生命力-首届泛东南亚三年展

热带眼：第二届泛东南亚三年展

特别网络：潮汐项目7

移植、融合与重构：当代巴厘岛皮影戏的生命力

Transplantation, Integration, and Reconstruction: The Vitality of Contemporary Balinese Wayang Kulit

时间 / Time

2026年5月6日下午2:30

2:30 P.M, May 6, 2026

地点 / Venue

广州美术学院大学城美术馆三楼8号展厅

Hall NO. 8, 3^rd Floor, University City Art Museum of Guangzhou Academy of Fine Arts

主讲人 / Speaker

徐菲阳 Xu Feiyang

任教于星海音乐学院音乐学系

广州美术学院跨媒体艺术学院外聘副教授

马来西亚马六甲郑和文化博物馆国际学术顾问

香港中文大学（深圳）粤港澳大湾区 “非遗”音乐研究基地研究员

teacher at the Department of Musicology, Xinghai Conservatory of Music, External Associate Professor in School of Transmedia Arts, GAFA, International Academic Advisor of Zheng He Cultural Museum, Malacca, Malaysia, Researcher of "Intangible Cultural Heritage" Music Research Base in the Guangdong-Hong Kong-Macao Greater Bay Area, CUHK (Shenzhen)

学术主持 / Host

陈晓阳 Chen Xiaoyang

广州美术学院教授，美术馆馆长

Professor of the GAFA，Director of GAFA Art Museum

参与方式 / Mode of participation

无需报名，直接参与

no registration required, just participate.

Lecture Outline

达郎（皮影师）维迦说“在巴厘岛，如果你自称是艺术家，人们会感到奇怪，会问你是哪一种艺术家？因为在这里，很多人精通多门艺术。”在巴厘岛，一个人可能同时是舞蹈家、达郎、甘美兰音乐家或是雕刻家。巴厘各类艺术之间是互动相通的，掌握多门艺术的巴厘人以一种移植、融合的方式，再生创造出新的艺术形式。本讲座将走进巴厘岛的光影世界，讲述20世纪70年代以来，巴厘皮影戏如何吸收借鉴了其他戏剧类型，演变出多种新形态。并介绍20世纪90年代美国电影制作人拉里·里德与巴厘艺术家跨界合作，创造出融合电影、皮影戏、舞蹈等元素的光电皮影戏。

Dalang (shadow puppeteer) Wayan Wija once said, "In Bali, if you call yourself an artist, people will find it strange and ask what kind of artist you are. Because here, many people master multiple arts." In Bali, a single person may simultaneously be a dancer, a dalang, a gamelan musician, or a carver. The various arts in Bali are interconnected and mutually interactive. Balinese people who master multiple arts regenerate and create new artistic forms through a process of transplantation, integration, and reconfiguration. This lecture will enter the world of light and shadow in Bali, exploring how Balinese shadow puppetry has absorbed and drawn from other theatrical forms since the 1970s, evolving into various new forms. It will also introduce the cross-disciplinary collaboration between American filmmaker Larry Reed and Balinese artists in the 1990s, which created electro-optical shadow puppetry that integrates elements of film, shadow puppetry, and dance.

About the speaker

嘉宾简介

徐菲阳，任教于星海音乐学院音乐学系，教授世界民族音乐相关课程。广州美术学院跨媒体艺术学院外聘副教授，马来西亚马六甲郑和文化博物馆国际学术顾问，香港中文大学（深圳）粤港澳大湾区 “非遗”音乐研究基地研究员，曾担任国家艺术基金艺术人才培养项目《光影与声像艺术美学》导师。本硕博毕业于中央音乐学院，2017年国家留学基金委员会公派访问学者，前往美国卫斯理安大学（Wesleyan University）研究学习。曾在美国和印尼的音乐节与艺术院校参加皮影戏与甘美兰表演。主要研究兴趣为东南亚音乐、华人音乐和当代世界音乐创作，长年深入印尼、泰国、柬埔寨和马来西亚等地进行田野考察，研究涉及该地区的传统与当代音乐、舞蹈与戏剧。

Xu Feiyang, teaching courses in World Music Ethnomusicology at the Department of Musicology, Xinghai Conservatory of Music. She is External Associate Professor in School of Transmedia Arts, Guangzhou Academy of Fine Arts. International Academic Advisor of Zheng He Cultural Museum, Malacca, Malaysia. Researcher of "Intangible Cultural Heritage" Music Research Base in the Guangdong-Hong Kong-Macao Greater Bay Area, The Chinese University of Hong Kong (Shenzhen). Former Mentor of National Arts Fund Artistic Talent Training Program “Light, Shadow, and Audio-Visual Arts Aesthetics”. She got Bachelor’s, Master’s and Doctoral degrees from the Central Conservatory of Music, and as a visiting scholar to Wesleyan University, USA in 2017. She had participated in shadow puppetry and gamelan performances at music festivals and art institutions in the United States and Indonesia. Her research mainly in Southeast Asian music, Chinese diaspora music, and contemporary world music composition. She has Long-term ethnographic fieldwork in Indonesia, Thailand, Cambodia, Malaysia, and other regions, focusing on traditional and contemporary music, dance, and theater in these areas.